Fabula Palliata
Roman comedies adapted from Greek originals where actors wore the Greek pallium.
| Term | Definition |
|---|---|
Fabula Palliata | Roman comedies adapted from Greek originals where actors wore the Greek pallium. |
Contaminatio | The dramatic technique of mixing elements from multiple Greek plays to create a new Roman play. |
Stock Characters | Recurrent character archetypes in Roman comedy, such as the angry old man or clever slave. |
Vis Comica | The inherent comic force or power driving scenes in Roman comedy. |
Micio's Parenting Philosophy | A lenient approach based on kindness, generosity, and inspiring respect rather than fear. |
Demea's Parenting Philosophy | A stern, traditional Roman approach emphasizing strict command, obedience, and fear of punishment. |
Adelphoe (The Brothers) | A play by Terence set in Athens that contrasts two fathers to explore parenting styles and cultural values. |
Eunuchus (The Eunuch) | Terence's most popular and financially successful play, used to discuss genre license and social status. |
Comedia Togata | Roman comedies featuring Italian settings and characters wearing the Roman toga. |
Macedonian Wars | A series of four conflicts (214-148 BC) between Rome and Macedonia that established Roman military dominance. |
Roman Maniple vs. Greek Phalanx | The flexible, modular Roman tactical unit that proved superior to the rigid Greek spear formation. |
The conquerors have been conquered by the conquered | An aphorism describing how defeated Greece culturally flooded and influenced Rome. |
Rape of Lucretia | A foundational Roman myth where a noblewoman's assault led to the overthrow of the monarchy and founding of the Republic. |
Cantica | The sung or poetical portions of Roman plays accompanied by musical instrumentation. |
Dramatic Irony | A comedic device where the audience knows more than the characters, amplifying tension and humor. |
Roman Comedy Staging | A fixed set featuring two houses and a street, utilizing controlled entrances and exits for comedic timing. |
Shame vs. Guilt Culture | External conformity via fear of exposure versus internalized moral responsibility. |
Terence (Publius Terentius Afer) | A Roman comic playwright of African descent, formerly enslaved, known for sophisticated social and ethical themes. |